Isak

  • Isak is a space to celebrate tales and truth in the curious, joyful way embodied by the writer--Isak Dinesen--for which it is named.

    By tales, I mean fiction (especially short fiction), as well as other literary and artistic narratives. By truth, I mean the world in which we live. I especially have my eye on creative social justice.

    Isak: The Extended Version

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Isak Loves

  • James Baldwin: Notes of a Native Son

    James Baldwin: Notes of a Native Son
    "I want to be an honest man and a good writer." So James Baldwin writes in his 1955 collection of essays. In my video review, I consider what exactly is going on in this explosive little book: see the video here.

  • Michelle Goldberg: The Means of Reproduction: Sex, Power, and the Future of the World

    Michelle Goldberg: The Means of Reproduction: Sex, Power, and the Future of the World
    Really, it's quite a story, one I haven't heard elsewhere, one that coheres so many "issues" that are too often isolated. ... Goldberg performs something of a miracle of crystallization. The connections and intersections become clear. And what is seen is ... well, you've just got to see it.

    Read my full review here.

  • Truman Capote: In Cold Blood

    Truman Capote: In Cold Blood
    Capote is among the very first to write an investigative fact-based book with the craft technique of fiction. Indeed, the book is written as if from an omniscient narrator, carefully arranging the true story in ways that play out in dialogue, build suspense, create characters, foreshadow, and revel in moral ambiguity--rather than making a linear argument of some sort, as nonfiction of Capote's time was wont to do.

    Read my full review here.

  • Art Spiegelman: The Complete Maus: A Survivor's Tale

    Art Spiegelman: The Complete Maus: A Survivor's Tale
    In 1992, Spiegelman's two-part graphic novel won a Pulitzer Prize. The Pulitzer committee, however, didn't know what genre to place Maus in, and so it was awarded a "special project" Pulitzer. That, perhaps more than anything else, indicates how revolutionary Maus was.

    Read my full review here.

  • Betty Friedan: The Feminine Mystique

    Betty Friedan: The Feminine Mystique
    Let me be clear: Betty Friedan's seminal 1963 book is brilliant, startling, well-written, clear-sighted, and even better than I anticipated when I first picked it up. Bringing together insight and wide-ranging research to a gendered culture that was on the brink, it's apparent why the book cued a revolution when it was published to enormous acclaim.

    There are, however, meaningful oversights in the book. Read my full review here.

  • Vladimir Nabokov: Laughter in the Dark

    Vladimir Nabokov: Laughter in the Dark
    I often shook my head in bemused awe at the kind of stuff this writer could get away with. I mean, a villain named Axel Rex? A sentence like: "An electric milk van on fat tires rolling creamily?" Incredible. But the point is, Nabokov gets away with it.

    It works. This is a perfectly crafted book. Read my full review here.

  • Fyodor Dostoevsky: Notes from Underground

    Fyodor Dostoevsky: Notes from Underground
    It's not by chance that this guy lives in St. Petersburg. The city is steeped in the fantastic, though it is seemingly the most logical of cities, and is thus the perfect metaphor for the plight of our liver-diseased, rationalism-loathing Underground Man.

    Read my full reflection--on this short novel, and on St. Petersburg--here.

  • Stephen Greenblatt: Will in the World: How Shakespeare Became Shakespeare

    Stephen Greenblatt: Will in the World: How Shakespeare Became Shakespeare
    My immediate response upon finishing this book? Every Shakespeare play I read from now on will be funnier, deeper, more moving and generally more of a joy because I read this.

    Read my full review here.

  • Per Petterson: Out Stealing Horses

    Per Petterson: Out Stealing Horses
    And time: Petterson's collage of chronology plays like a human memory, feeding on associations and surprising juxtapositions, making the familiar revelatory. It is crafted of many long lines and leaps of moodiness and knowing. There is suspense and mystery--but it hardly moves like a step-by-step thriller; Petterson performs the writerly miracle of making mysterious what we already know has happened. And that "what" that has happened isn't itself easily defined, even as I can feel it's weight.

    See my full review here.

  • : The Autobiography of Malcolm X : As Told to Alex Haley

    The Autobiography of Malcolm X : As Told to Alex Haley
    On the forty-third anniversary of Malcolm X's murder, I wrote about his life, his legacy and the warped way I'd learned of both until I read this brilliant book.

    Read it (that is, my reflection) here.

  • Thornton Wilder: The Bridge of San Luis Rey

    Thornton Wilder: The Bridge of San Luis Rey

  • Ken Kesey: One Flew Over the Cuckoo's Nest

    Ken Kesey: One Flew Over the Cuckoo's Nest

  • Harper Lee: To Kill a Mockingbird

    Harper Lee: To Kill a Mockingbird
    It's perfect.

  • Edith Wharton: House of Mirth

    Edith Wharton: House of Mirth
    I tell you, it was fraught; this is a great book that I viscerally responded to. So engrossing is the tale of Lily Bart and New York society at the turn of the twentieth century, we ended up bringing that second copy home and continuing to read til 3 a.m (there was a short spaghetti break).

    Read my full review here.

  • Michael Pollan: The Omnivore's Dilemma: A Natural History of Four Meals

    Michael Pollan: The Omnivore's Dilemma: A Natural History of Four Meals
    Hyped? Yes. And it deserves every bit of it and more. This is an astonishing, engaging, hilarious and revelatory book that should be required reading for every American. At least every American that eats.

  • Charles D'Ambrosio: Orphans
    The eleven essays are haunting, hallucinatory, and so sharp-eyed that it rattles the bones. D'Ambrosio moves among landscapes like a watchful ghost--from oddball modular homes in Washington state, to the infamous Hell House, from Seattle in 1974 to a Russian orphanage, from a tent on a cold ocean beach to a utopian experiment in small town Texas to a courthouse multiplex where a teacher's on trial for becoming pregnant by her 13-year-old student.

    Read my full review here.
  • Maurice Manning: Bucolics

    Maurice Manning: Bucolics
    Haunting and funny, innovative and heartening, this collection of seventy untitled, unpunctuated poems features a nameless narrator talking to his creator, whom he calls 'boss.' It moves like a reverie and it strikes deep.

    Read my full review here.

  • Alison Bechdel: Fun Home: A Family Tragicomic

    Alison Bechdel: Fun Home: A Family Tragicomic
    Fun Home is a timeshifting, living memory sort of story that leaves the chains of chronology far behind ... Bechdel plays at the ideas of artiface and fiction, using Camus, Proust, Nin, Fitzgerald and many other writers to tell the story of the 'reality' of the love, pain, and identity in a bookish family.

    Read my full review here.

  • Isak Dinesen: Out of Africa and Shadows on the Grass

    Isak Dinesen: Out of Africa and Shadows on the Grass
    Natch.

  • Virginia Woolf: A Room of One's Own

    Virginia Woolf: A Room of One's Own
    Let's just say it's a classic for a reason.

  • Peter Turchi: Maps of the Imagination: The Writer as Cartographer

    Peter Turchi: Maps of the Imagination: The Writer as Cartographer
    A clever book with gorgeous and eclectic illustrations, Turchi is in true affable form as he seeks to capture the nature of seeking...both on the page and in the world.

  • Marilynne Robinson: Gilead

    Marilynne Robinson: Gilead
    I bought this novel as a hardcover, without ever having read a word of Robinson's writing before. A rare case. And beyond worth it.

  • Flannery O'Connor: The Complete Stories

    Flannery O'Connor: The Complete Stories
    Stories with dark edges and beating hearts, sharp social satire and a load of humor.

  • Anne Michaels: Fugitive Pieces

    Anne Michaels: Fugitive Pieces
    A novel I'd never heard of, by a writer I'd never heard of, mailed to me unexpectedly by a British fellow I'd only known for two weeks. Now, when people throw that "favorite book" question at me, I always, always name this one.

  • Milan Kundera: The Unbearable Lightness of Being

    Milan Kundera: The Unbearable Lightness of Being
    A novel that crushes the heart and the brain. In a good way.

  • Gabriel Garcia Marquez: One Hundred Years of Solitude

    Gabriel Garcia Marquez: One Hundred Years of Solitude
    Right on.

  • Fyodor Dostoevsky: The Brothers Karamazov

    Fyodor Dostoevsky: The Brothers Karamazov
    I fell in love with it in college; I'm loyal to it today. It's got murder, intrigue, and a brilliant scope.

  • Joan Didion: Slouching Towards Bethlehem: Essays

    Joan Didion: Slouching Towards Bethlehem: Essays
    I've never read anybody who thinks like her.

  • Dorothy Day: Dorothy Day: Selected Writings

    Dorothy Day: Dorothy Day: Selected Writings
    A well-edited text of Day's writing, and her life committed to a personalist approach to poverty and active nonviolence. I never was stunned by her writing, by I found myself reaching for it again and again. There's something that keeps calling me back to it...

  • Anton Chekhov: Stories of Anton Chekhov

    Anton Chekhov: Stories of Anton Chekhov
    How could you not? Honestly, it took me awhile to appreciate the genius of Chekhov's stories, but it was only a matter of time.

  • Angela Carter: Burning Your Boats: The Collected Short Stories

    Angela Carter: Burning Your Boats: The Collected Short Stories
    Boldly written, clever, hilarious, and strange. There's none like her. "The Fall River Axe Murders" remains one of my favorite all-time stories.

  • Mikhail Bulgakov: The Master and Margarita

    Mikhail Bulgakov: The Master and Margarita
    Featuring the personalities of Pontius Pilate, a life-size cat, Satan, and a master writer, this is a novel of Moscow gone mad with literality and fantasy. It shares the curious juxtaposition of being both one of the most powerful Soviet protest texts, and the inspiration for the song "Sympathy for the Devil."

  • Jorge Luis Borges: Ficciones

    Jorge Luis Borges: Ficciones
    Mind-bending. My favorite? "Three Versions of Judas"

  • Andrea Barrett: Ship Fever

    Andrea Barrett: Ship Fever
    Smart extended stories, drawing from the most intriguing moments in natural history and adventuring. In my mind, Andrea Barrett challenges Alice Munro for the most talented living story writer in English.

  • Wendy Wasserstein: The Heidi Chronicles: Uncommon Women and Others & Isn't It Romantic

    Wendy Wasserstein: The Heidi Chronicles: Uncommon Women and Others & Isn't It Romantic
    The voices ring in my mind, after several reads of this play since last summer; the dialogue is remarkably honest, funny, and just plain old interesting. Rarely have I come across stories and plays where the human instincts to demarcate characters with sharp lines ("she's the funny one,"he's the misunderstood one") is so futile as here; the characters' many-sidedness is made plain on every page.

    Read my full appreciation here.

  • Maurice Manning: A Companion for Owls: Being the Commonplace Book of D. Boone, Long Hunter, Back Woodsman, & c.

    Maurice Manning: A Companion for Owls: Being the Commonplace Book of D. Boone, Long Hunter, Back Woodsman, & c.
    One of the best books I've read in a long time. Innovative, funny, gorgeous...I could string together plenty of heartfelt adjectives, but I'd rather you not take any of my words for it; take Manning's words instead.

  • Charles Baudelaire: Twenty Prose Poems

    Charles Baudelaire: Twenty Prose Poems
    Such ambition did nothing to stifle his sense of humor--evident just from his titles, which range from "Get Drunk!" to "The Soup and the Clouds" to "Let's Beat Up the Poor." Baudelaire's got a love of wordplay and a taste for epiphany. The doubleness manifested in his very genre--prose poem--finds constant textual echoes, from his scathing remarks on hypocrisy to his sight for the strange oppositions alive in Paris in the mid-nineteenth century. I was particularly struck by the image at the end of "The Double Room" (natch)...

    Read my full review here.

  • Jane Austen: Pride and Prejudice

    Jane Austen: Pride and Prejudice
    Five reasons why reading Pride and Prejudice is ridiculously fun.

  • George Orwell: Down and Out in Paris and London

    George Orwell: Down and Out in Paris and London
    George Orwell is a damn good writer. Sure, he whipped out 1984 and Animal Farm, but it's from his essays and nonfiction that I'm learning Orwellian tricks--and by that I mean, the very best sort of craft points. Read my full review here.

  • Stephen King: On Writing

    Stephen King: On Writing
    It's a great book--partly on his life, partly on language, and wholly on how the two intersect. King is hilarious, imaginative ... and his insane work ethic is evident on every page. He's also got a finally tuned bullshit-detector, which charmed me right off.

    Read my full review here.

  • Leonard Gardner: Fat City

    Leonard Gardner: Fat City
    A book that still excites me every time I page through it, though I first read it a year ago. Gardner’s novel thrives on contradictions. His characters say what they don’t mean, hope for what they don’t want, and act in ways that hurt themselves and those that they attempt, ever so slightly, to love. And the novel comes together splendidly.

    Read my full review here.

« Senator and Filmmaker Challenge Fox News for Warmongering | Main | Do Soldiers Have Free Speech Rights? »

August 23, 2007

Mediating Journalism

While the wonderful Columbia Journalism Review is more financially sustainable than ever, the American Journalism Review--not so much, reports Editor & Publisher. It fact, it may not last through 2007.

CJR's Mike Hoyt champions the cause of his publication's prime competitor, for the best of reasons:

" ... we can’t think of a time when the mission of the journalism review was more significant. Once upon a time magazines like theirs and ours were largely cops on the beat, blowing our whistle at ethical transgressions and swinging the occasional baton at lazy or unfair coverage. the job has grown, and perhaps the greatest part of it is this: we’re here to help journalism and those who care about it think through a confluence of social, political, technical, and financial challenges that threaten the very existence of the kind of reporting and analysis that a working democracy needs in order to stay healthy."

Particularly at this moment, when the news media still hasn't come to terms with its utter failure in covering the lead up to the Iraq war--and to untold death and suffering--the loss of a major media watchdog would be too sad.

On that note, if you haven't yet checked out Bill Moyers' "Buying the War," what in god's sweet name are you waiting for?

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Comments

I think so many of us in the 'general public' are fighting to keep up with the media available online and in print, that idea of going to the next level--consuming media about the media--is a far-flung dream.

At the same time, with the Iraq war debacle, the sale of the Wall Street Journal, and the absurdities 'liberal media' claims, it's dawning on many of us to questions where our news is coming from, and what interests are embedded in our media sources.

Maybe I should skip the Washington Post completely and skip straight to the journalism reviews...

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More Isak Reviews

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