Isak

  • Isak is a space to celebrate tales and truth in the curious, joyful way embodied by the writer--Isak Dinesen--for which it is named. By tales, I mean fiction (especially short fiction), as well as other literary and artistic narratives. By truths, I mean the world in which we live. I especially have my eye on creative social justice.

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Isak Loves

  • Leonard Gardner: Fat City

    Leonard Gardner: Fat City
    A book that still excites me every time I page through it, though I first read it a year ago. Gardner’s novel thrives on contradictions. His characters say what they don’t mean, hope for what they don’t want, and act in ways that hurt themselves and those that they attempt, ever so slightly, to love. And the novel comes together splendidly. Read my full review here.

  • Stephen King: On Writing

    Stephen King: On Writing
    It's a great book--partly on his life, partly on language, and wholly on how the two intersect. King is hilarious, imaginative ... and his insane work ethic is evident on every page. He's also got a finally tuned bullshit-detector, which charmed me right off. Read my full review here.

  • George Orwell: Down and Out in Paris and London

    George Orwell: Down and Out in Paris and London
    George Orwell is a damn good writer. Sure, he whipped out 1984 and Animal Farm, but it's from his essays and nonfiction that I'm learning Orwellian tricks--and by that I mean, the very best sort of craft points. Read my full review here.

  • Jane Austen: Pride and Prejudice

    Jane Austen: Pride and Prejudice
    Five reasons why reading Pride and Prejudice is ridiculously fun.

  • Charles Baudelaire: Twenty Prose Poems

    Charles Baudelaire: Twenty Prose Poems
    Such ambition did nothing to stifle his sense of humor--evident just from his titles, which range from "Get Drunk!" to "The Soup and the Clouds" to "Let's Beat Up the Poor." Baudelaire's got a love of wordplay and a taste for epiphany. The doubleness manifested in his very genre--prose poem--finds constant textual echoes, from his scathing remarks on hypocrisy to his sight for the strange oppositions alive in Paris in the mid-nineteenth century. I was particularly struck by the image at the end of "The Double Room" (natch)... Read my full review here.

  • Maurice Manning: A Companion for Owls: Being the Commonplace Book of D. Boone, Long Hunter, Back Woodsman, & c.

    Maurice Manning: A Companion for Owls: Being the Commonplace Book of D. Boone, Long Hunter, Back Woodsman, & c.
    One of the best books I've read in a long time. Innovative, funny, gorgeous...I could string together plenty of heartfelt adjectives, but I'd rather you not take any of my words for it; take Manning's words instead.

  • Wendy Wasserstein: The Heidi Chronicles: Uncommon Women and Others & Isn't It Romantic

    Wendy Wasserstein: The Heidi Chronicles: Uncommon Women and Others & Isn't It Romantic
    The voices ring in my mind, after several reads of this play since last summer; the dialogue is remarkably honest, funny, and just plain old interesting. Rarely have I come across stories and plays where the human instincts to demarcate characters with sharp lines ("she's the funny one,"he's the misunderstood one") is so futile as here; the characters' many-sidedness is made plain on every page. Read my full appreciation here.

  • Andrea Barrett: Ship Fever

    Andrea Barrett: Ship Fever
    Smart extended stories, drawing from the most intriguing moments in natural history and adventuring. In my mind, Andrea Barrett challenges Alice Munro for the most talented living story writer in English.

  • Jorge Luis Borges: Ficciones

    Jorge Luis Borges: Ficciones
    Mind-bending. My favorite? "Three Versions of Judas"

  • Mikhail Bulgakov: The Master and Margarita

    Mikhail Bulgakov: The Master and Margarita
    Featuring the personalities of Pontius Pilate, a life-size cat, Satan, and a master writer, this is a novel of Moscow gone mad with literality and fantasy. It shares the curious juxtaposition of being both one of the most powerful Soviet protest texts, and the inspiration for the song "Sympathy for the Devil."

  • Angela Carter: Burning Your Boats: The Collected Short Stories

    Angela Carter: Burning Your Boats: The Collected Short Stories
    Boldly written, clever, hilarious, and strange. There's none like her. "The Fall River Axe Murders" remains one of my favorite all-time stories.

  • Anton Chekhov: Stories of Anton Chekhov

    Anton Chekhov: Stories of Anton Chekhov
    How could you not? Honestly, it took me awhile to appreciate the genius of Chekhov's stories, but it was only a matter of time.

  • Dorothy Day: Dorothy Day: Selected Writings

    Dorothy Day: Dorothy Day: Selected Writings
    A well-edited text of Day's writing, and her life committed to a personalist approach to poverty and active nonviolence. I never was stunned by her writing, by I found myself reaching for it again and again. There's something that keeps calling me back to it...

  • Joan Didion: Slouching Towards Bethlehem: Essays

    Joan Didion: Slouching Towards Bethlehem: Essays
    I've never read anybody who thinks like her.

  • Fyodor Dostoevsky: The Brothers Karamazov

    Fyodor Dostoevsky: The Brothers Karamazov
    I fell in love with it in college; I'm loyal to it today. It's got murder, intrigue, and a brilliant scope.

  • Gabriel Garcia Marquez: One Hundred Years of Solitude

    Gabriel Garcia Marquez: One Hundred Years of Solitude
    Right on.

  • Milan Kundera: The Unbearable Lightness of Being

    Milan Kundera: The Unbearable Lightness of Being
    A novel that crushes the heart and the brain. In a good way.

  • Anne Michaels: Fugitive Pieces

    Anne Michaels: Fugitive Pieces
    A novel I'd never heard of, by a writer I'd never heard of, mailed to me unexpectedly by a British fellow I'd only known for two weeks. Now, when people throw that "favorite book" question at me, I always, always name this one.

  • Flannery O'Connor: The Complete Stories

    Flannery O'Connor: The Complete Stories
    Stories with dark edges and beating hearts, sharp social satire and a load of humor.

  • Marilynne Robinson: Gilead

    Marilynne Robinson: Gilead
    I bought this novel as a hardcover, without ever having read a word of Robinson's writing before. A rare case. And beyond worth it.

  • Peter Turchi: Maps of the Imagination: The Writer as Cartographer

    Peter Turchi: Maps of the Imagination: The Writer as Cartographer
    A clever book with gorgeous and eclectic illustrations, Turchi is in true affable form as he seeks to capture the nature of seeking...both on the page and in the world.

  • Virginia Woolf: A Room of One's Own

    Virginia Woolf: A Room of One's Own
    Let's just say it's a classic for a reason.

  • Isak Dinesen: Out of Africa and Shadows on the Grass

    Isak Dinesen: Out of Africa and Shadows on the Grass
    Natch.

  • Alison Bechdel: Fun Home: A Family Tragicomic

    Alison Bechdel: Fun Home: A Family Tragicomic
    Fun Home is a timeshifting, living memory sort of story that leaves the chains of chronology far behind ... Bechdel plays at the ideas of artiface and fiction, using Camus, Proust, Nin, Fitzgerald and many other writers to tell the story of the 'reality' of the love, pain, and identity in a bookish family. Read my full review here.

  • Maurice Manning: Bucolics

    Maurice Manning: Bucolics
    Haunting and funny, innovative and heartening, this collection of seventy untitled, unpunctuated poems features a nameless narrator talking to his creator, whom he calls 'boss.' It moves like a reverie and it strikes deep. Read my full review here.

  • Charles D'Ambrosio: Orphans
    The eleven essays are haunting, hallucinatory, and so sharp-eyed that it rattles the bones. D'Ambrosio moves among landscapes like a watchful ghost--from oddball modular homes in Washington state, to the infamous Hell House, from Seattle in 1974 to a Russian orphanage, from a tent on a cold ocean beach to a utopian experiment in small town Texas to a courthouse multiplex where a teacher's on trial for becoming pregnant by her 13-year-old student. Read my full review here.
  • Michael Pollan: The Omnivore's Dilemma: A Natural History of Four Meals

    Michael Pollan: The Omnivore's Dilemma: A Natural History of Four Meals
    Hyped? Yes. And it deserves every bit of it and more. This is an astonishing, engaging, hilarious and revelatory book that should be required reading for every American. At least every American that eats.

  • Edith Wharton: House of Mirth

    Edith Wharton: House of Mirth
    I tell you, it was fraught; this is a great book that I viscerally responded to. So engrossing is the tale of Lily Bart and New York society at the turn of the twentieth century, we ended up bringing that second copy home and continuing to read til 3 a.m (there was a short spaghetti break). Read my full review here.

  • Harper Lee: To Kill a Mockingbird

    Harper Lee: To Kill a Mockingbird
    It's perfect.

  • Ken Kesey: One Flew Over the Cuckoo's Nest

    Ken Kesey: One Flew Over the Cuckoo's Nest

  • Thornton Wilder: The Bridge of San Luis Rey

    Thornton Wilder: The Bridge of San Luis Rey

  • : The Autobiography of Malcolm X : As Told to Alex Haley

    The Autobiography of Malcolm X : As Told to Alex Haley
    On the forty-third anniversary of Malcolm X's murder, I wrote about his life, his legacy and the warped way I'd learned of both until I read this brilliant book. Read it (that is, my reflection) here.

  • Per Petterson: Out Stealing Horses

    Per Petterson: Out Stealing Horses
    And time: Petterson's collage of chronology plays like a human memory, feeding on associations and surprising juxtapositions, making the familiar revelatory. It is crafted of many long lines and leaps of moodiness and knowing. There is suspense and mystery in Out Stealing Horses--but it hardly moves like a step-by-step thriller; Petterson performs the writerly miracle of making mysterious what we already know has happened. And that "what" that has happened isn't itself easily defined, even as I can feel it's weight. See my full review here.

July 18, 2008

REVIEW: Michael Pollan's In Defense of Food: An Eater's Manifesto

InDefenseFood_cover_med "Eat food. Not too much. Mostly plants."

Michael Pollan's most recent investigative journalism wonder has got me bandying the word "nutritionism" about. I mean--he means--to describe a cultural ideology that places value on nutrients rather than food itself. That is, the parts rather than the whole. Unfortunately, decades of parsed nutritionist science--and the political wrangling that often intersected with it--have brought us to a point where most of what we're eating isn't really food. It's edible. It's chemically altered to be infused with a vitamin or fiber or what not. But as a product of nature, hardly. It's a product of a laboratory, and the scientists we are trusting with our health.

And now, as Pollan repeatedly points out, we're in the weird position of turning to investigative journalists like himself to find out what to eat; we're perhaps the first full generation so disconnected from our land and history, the great teachers of eating of those who came before us. There's a lot of profit from the widespread confusion over food--and a lot of illness too.

For my part, I find myself saying crap like "oh fish oil's really good for you" and "choose the tea with antioxidants in it," even though I have no idea what I'm talking about, and, as Pollan indicates, is playing into the food-as-parts rather than whole foods. It's a little frightening to see how susceptible I am to this food marketing, even when I've been more intentional about eating unprocessed, non-chemically soaked food in the last few years.

I think it's interesting that this book approaches food from a health vantage point; I hadn't really noticed it was missing from his other book, The Omnivore's Dilemma, which is a brilliant work that focuses on ethical and environmental nature of food. I rather assumed that it was all the same thing: what's ethically and environmentally good is also healthy for me. But I'm glad he's playing it out in this follow-up. He's a fantastic writer whose commentary leaves room for nuance--nothing's wholly one thing or another which is, um, just how life is. And his writing is compulsively readable.

It can be daunting to think that nothing less than a culture change is in order: Pollan is right about food not merely being 'fuel,' but inextricably tied to our social lives and work lives and family lives. I would've liked more from him on how to facilitate such a big change: he basically says, yes, food will cost more money and time, and it is worth it. I believe him. But while he makes a good case for anteing up the money (pointing out that it's not so much an issue of affordability for most of us as it is of priority, and he also advocates eating less), he gives less space to the time issue.

I'm not used to spending a good deal of time cooking my dinner and especially when I eat alone--now that I'm in my own apartment for the first time ever--I've found it difficult to create new habits where I make my meals a priority of time and effort.

I tried the night I finished In Defense of Eating. Cooked. Lit a candle. Took all the crap off the table I eat at. Even said a prayer before I dug in.

One guy I lived with at Haley House  led us through an exercise on retreat once, during a meal of lentils that he made and we ate with our hands, where he had us not pick up our next bite and hold it before us while we chewed. You merely had to swallow before preparing your next bite. And it was hard. I never realized I had this gulping habit of eating. That night Ifinished Pollan's book, I tried it again, putting down my fork between bites and it was still hard.

But I suppose there's nothing to do but be patient with it and myself. Pollan talks about mind tricks to play on yourself to adjust your eating habits (like using smaller plates, since so many of us fall victim to visual cues in our eating, rather than how we feel), and I'm thinking of one for me: approaching the table I eat at as if it were something of an altar. (The candle gave me the idea.) What if I didn't drop my shit on it, as I would never do to an altar? What if I considered it sacred space? How would that affect how I eat, whether I have guests or I'm by myself? I'm going to try.

Speaking of culture shift: there are so many skills that we've lost in this nutritionism era. There's so many finds at the farmer's market that I can't name, let alone cook. I find myself gravitating to carrots, tomatoes, the usual-looking things. But I want to learn about all that other stuff, and how to prepare it. I wonder where one can go? I need to ask friends and soon-to-be friends. Wouldn't it be cool to have an evening, or series of evenings, where friends taught each other how to prepare a food the other(s) don't know about? Not just a dish, but a dish where the primary ingredient is something the others barely recognize.

I think our culture's ready for this shift. The Food Network, all these foodie books, the popularity of farmer's markets, the rise of organic--it seems to me to be a broad-scale movement reacting against the tide of crap food and science written about in this book.

One last thing about culture: it irritated me that Pollan used "Mom "as a stand in for the "old" way of doing things, I guess because it doesn't resonate with my own experience. I've had a growing distaste for processed food for years, and when I come home to my parents, and my mom puts herself out to make me a meal that she thinks I will love, that she thinks is healthy, but that is very processed and doesn't appeal to me, what to do? Generally, I eat it anyway. Who wants to criticize a meal made for you? When I'm in their home?

But still, I'm frustrated by not being able to communicate that, after a few days, I really want something fresh. Or why I don't want to eat the canned peaches that are coated in sugar and preservatives that my dad tells me is good for me. I don't know how to follow my own instincts for how to feed myself without coming across like I'm judging my very kind and generous parents.

June 26, 2008

The New Testament?

Barbara Kingsolver has a wonderful book of essays called, well, Small Wonder. And in one of those essays by this novelist/biologist, there's a line I don't forget. More of a phrase, really. She writes of "the religion inside a seed." I know no better or more efficient way of conveying my awe of the natural world and my gratitude to be part of it.

As a filmmaker is revealing in a documentary called "The World According to Monsanto," the company that is perhaps the world's largest agribusiness (and former chemical company, maker of the cancerous PCBs) is working its way to owning the rights to seeds. Not just *a* seed; but all seed of a particular crop, and then another crop, and then another. They do this when they genetically engineer a seed, and that seed is made/comes to be standard. This means Monsanto is working its way to controlling our food, our ability to grow things, and, dare I say, the world?

Somebody should tell Monsanto to read some Kingsolver essays.

June 23, 2008

So, You're Saying You Like Food?

... And that you think a healthful environment is, like, a good idea? Then check out the summer reading suggestions from American Farmland Trust. It's for "fans of local food, farms, and the environment." Two of them have been on my TBR list for awhile; the others are new to me--and intriguing.

June 17, 2008

Go Blackle

Blackle[2]

Forget Google. Meet Blackle.

Actually, Blackle is a a search engine that's Google-powered, so the divide's not nearly so stark. But here's a reason why your day-to-day search activities might be more at home at www.blackle.com than www.google.com: Blackle features dark screen with white type. No, it's not for the syle; it saves energy. Your computer and mine eats up a great deal of energy on a typical brightly-lit screen painted with a variety of colors. A lot of that energy can be conserved by simply making use of Blackle.

It's an exceedingly painless way to move towards living a carbon-free life.

Now there is some controversy towards the effectiveness of Blackle--it's effectiveness depends on what type of computer screen you have. But since it requires basically no extended effort to bring into my life, I see no harm in using it daily. Maybe I'm making a dramatic impact. Maybe I'm not--but every time I see that startling dark screen, I'm reminded about how important it is to me to de-carbon my life. I like to think it'll inspire to cut short the enegy-sucking online surfing I'm doing, turn off the computer, and get back to Per Patterson's amazing novel.

If Blackle isn't for you, either because it's hard on your eyes or the doubts about its effectiveness make you unexcited about, consider turning down your screen's brightness--it'll save energy everytime you use your computer, and not just when you're online.

Image credit: www.treehugger.com

June 05, 2008

"I Colonize"

When I started reading this article by Tami from Racialicous, I thought I had the idea of where she was going from the very first sentence. With a headline like "I Colonize," and the context of the website it's published on, I anticipated a takedown of gentrification and its impact on race relations, along with an editorial on personal responsibility--a thesis that we should align our life choices with our understanding of larger social patterns.

I was wrong.

It's nothing so simple.

In one of the most nuanced takes on gentrification that I've ever read, Tami nails that uncomfortable ambiguity at the heart of this. She tells her own story of her and her husband, a Black couple, buying a condo "at the epicenter of the gentrification of Chicago's near south side," and the "uneasy" relationsips she had with her neighbors who shared her skin color, but not her lifestyle.

She's revelatory about the positive pieces of gentrification--revelatory because the word itself has become a curse in liberal circles--even as she's very clear on the decimation of communities that the arrogance of gentrifcation causes.

To help make sense of it all, Tami's essay swings into an interview with Mary Pattilo, author of Black on the Block: the Politics of Race and Class in the City. 

And before I do anymore prattling here, go over to Racialicious to read it all yourself (and peek at the lively comments).

June 02, 2008

Channel Green

The Discovery Channel is launching Planet Green, a 24-hour cable channel that is about eco-living.

While the news has introduced the unfortunate word "eco-tainment" (at least in the New York Times piece that tipped me to this news), and despite the fact that that Planet Green surely won't advocate ditching your TV or eliminating your consumption of the products of its advertisers (like, um, the maker of the Hummer), I think this is still a good thing. I see it as a useful transition tool. Folks can watch Planet Green and be inspired to make eco-conscious lifestyle choices and to see environmentalism as a way of life rather than a "cause." While the channel may champion some pieces of that lifestyle over others, I believe that people who make some changes will naturally question the parts of their lifestyle, and their culture, that don't get Planet Green feature time. So, while you are insulating your home to cut energy use, it will probably occur to you that owning a Hummer isn't the next step. Maybe the channel will be a springboard, and I trust that people are smart enough and creative enough to go the rest of the way on their own.

Anyway, for those of you with TVs, here's what you have to look forward to:
The channel’s schedule is star-studded, with the celebrity chef Emeril Lagasse hosting a cooking show featuring organic and locally grown foods, and the “Entourage” star Adrian Grenier living a green life. “Hollywood Green,” a weekly entertainment magazine, will showcase earth-conscious celebrities. The other programs will show every shade of green, from “G Word,” a daily series hosted by two news correspondents, to “Wrecklamation,” billed as “recycling on steroids.”
The channel has almost all original programming — partly because there was not an available vault of entertaining environmental programming to tap into. ...
... On (Ludacris and Tommy' Lee's) new show, “Battleground Earth,” the celebrities participate in an eco-friendly reality competition.

May 14, 2008

Real Hunger

From one of the neatest media models around, The Real News Network, comes this short report on the global food crisis, where two reveletory insights come from Devlin Kuyek, a GRAIN researcher:

1) The food crisis is not about  supply; it's about price.
2) Major ag corporations, such as Cargill and Monsonto, are boasting their best numbers in years. At a time when there are riots among people who need food, for example, Cargill is making $471,000 an hour just in profits.

April 30, 2008

Icy Chicago

First there was the Museum of Modern Ice, now there's a new exhibition at The Field Museum: "Melting Ice -- A Hot Topic: Envisioning Change." Twenty-six artists from ten countries contribute a range of art pieces--from photography to paintings to installations to sculpture--that circle around climate change. Special emphasis is on the melting ice caps, natch. The exhibition runs until September 1.

April 29, 2008

Snyder Makes Good

Gary Snyder wins the $100,000 Ruth Lilly Poetry Prize for lifetime achievement. Christian Wiman, chair of the prize's selection committee, had this to say in the press release: "Gary Snyder is in essence a contemporary devotional poet, though he is not devoted to any one god or way of being so much as to Being itself. His poetry is a testament to the sacredness of the natural world and our relation to it, and a prophecy of what we stand to lose if we forget that relation."

Snyder is also a committed Buddhist and environmentalist.

Above Pate Valley
By Gary Snyder

We finished clearing the last
Section of trail by noon,
High on the ridge-side
Two thousand feet above the creek
Reached the pass, went on
Beyond the white pine groves,
Granite shoulders, to a small
Green meadow watered by the snow,
Edged with Aspen—sun
Straight high and blazing
But the air was cool.
Ate a cold fried trout in the
Trembling shadows. I spied
A glitter, and found a flake
Black volcanic glass—obsidian—
By a flower. Hands and knees
Pushing the Bear grass, thousands
Of arrowhead leavings over a
Hundred yards. Not one good
Head, just razor flakes
On a hill snowed all but summer,
A land of fat summer deer,
They came to camp. On their
Own trails. I followed my own
Trail here. Picked up the cold-drill,
Pick, singlejack, and sack
Of dynamite.
Ten thousand years.

April 24, 2008

Getting Rich off of Energy Efficient Living

Remember awhile back, when I was loathe to turn on my heat at the beginning of the cold season? In the spirit of reducing my dependence on petroleum--and saving cash--I asked for your ideas on creative ways to make my apartment energy efficient. The list we brainstormed was an impressive one, including everything from baking to caulking to more rugs to, uh, cats.

And I happily went about making a lot of these ideas a reality. I spent my winter rather comfortable--yes, the heat eventually went on, but I prided myself for making it a relatively rare occasion and for making the most of the heat once it warmed my place.

But the bills ... those didn't seem to change. In fact, I was regularly surprised by how much I had to pay out each month, and I started doubting all these energy efficient strategies. When it came down to the numbers, looks like I wasn't making much of an eco-dent.

But then, THEN!, I got word last week that all those payments were based on "average" estimates. They needed to come out and do a meter reading to get the accurate stats. They did so yesterday, recalculated my bill, and it turns out that I actually owe them 65% less than what they estimated, based on average energy use.

I, you can imagine, am thrilled.

So thanks so much for your ideas ... know that not only were many of them implemented, but they were amazingly effective!

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